Questions from The Song Of The Alphabet In Cyberspace
1. What
are the differences between the pre-literate acoustic world and the
alphabetical visual world? How does the media of television become a part of
the acoustic world?
2. Why
does the alphabet have the segregating tendencies? How exactly does the
printing press reverse the segregating tendencies?
3. How
does the alphabetic communication in online communication make cyberspace
acoustic? How is the online acoustic world different from the television,
radio, or print acoustic world?
The alphabetic communication in online communication makes cyberspace acoustic because it is all absorbing and interactive. It requires our undivided attention. We cannot be driving or multitasking in order to absorb with our eyes. We absorb the information as it covers all areas of communication. The online acoustic world is different from the television, radio, and print acoustic world because they are considered closed acoustic spaces.
4. Not
only do we invent media and media technologies but also we select their uses in
different contexts. What are the two selection criteria? According to the
selection criteria, please discuss what will happen to our online communication
in 20 years.
The two selection criteria are the fact that we want media to extend our communications beyond the biological boundaries of naked seeing and hearing. The second selection criteria is we want the media to recapture elements of that biological communication which early artificial extensions may have lost. In other words, we want our hearth of natural communication even as we exceed it in our extensions. Even though the telephone has taken over the telegraph, the media convergence still makes us miss our original technology. According to the selection criteria, our online communication will continue to expand along new levels in 20 years. The alphabet is even more abstract than our current speech. Online communication will cross new boundaries we have yet to identify.
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